The pictorial trajectory of Querozito is described first of all by a connected symbolic narration with mythology. It is the poetic expression of the affective reality of the human being. The spirituality in his work is pronounced by that use of elements from mythology, making this a resource to introduce us within the depth of the subconscious mind of the world that the sacred and profane are united, they are juxtaposed and they are interlaced. Querozito believes in the power of myths, thus his compositions are drawn up as a ritual to wake up in watching the emotions through the winding and sculptural outline with which his subjects are equipped. His work is thought ritually, and is pronounced in his charged winding lines of symbolism. His process is meditative and allegorical of the human feeling.
It is an art that resorts to the exploration of the erotic fullness of men, the language that the artist uses is one of the outline and the sensual line with a life of its own to catch the aspects of the real life which they conjugate with the states of animate or feelings of the world. The emphasis that he puts in the execution of the outline, invokes body-divinve of mother nature, symbols of fertility, full regeneration and procreation of a greatcreative power which are accumulated in paper, the principal medium that the artist chooses for his creative manifestations, as it is perishable, manageable and vulnerable like the human feelings and the cycles that entail procreation. Querozito is meticulous with the pen wherein his images acquire force and own autonomy through the textures that define the human torsos and reinforce that human vitality and feelings like the main source of inspiration.
His compositions are expressed through subjects like, the manifestation, posterior, prejudiced etc. that acquires great force by his free winding and persuasive outline to invoke his ideas and emotions to us, and reconstructs a visual allegory of life. His compositions are almost monochrome, to perhaps show the idea of austerity and spirituality to us. The use of colour in precise ways is perhaps to reinforce the tactile qualities of the human feeling. It is through the almost monumental and sculptural human body that he offers the message of the importance of the gestural and rhythmic drama of the procreative power of man and his state. His depiction of torsos have a great force by themselves. Querozito uses the dismemberment of the body to show the role of sensuality and fecundity. The energy of man is one of continuity in space and time. The human being is the main resource of inspiration to show us an erotic vision of the vitality and feelings of men.